Features

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Malachi Lui  |  Mar 24, 2022  |  52 comments
Mere months after his patience-testing yet rewarding opus Donda, Kanye West is back with its lazily titled sequel, Donda 2. Don’t expect to find it on streaming platforms or in record stores, however. The artist now legally known as Ye instead independently released it exclusively on the $200 Stem Player, a proprietary, Yeezy Tech- and Kano-developed device that allows users tactile interaction with his last three albums (more about that later). Most of Donda 2’s media coverage centers around the Stem Player situation, how everyone thinks Kanye is “crazy” to so highly value his art by making everyone pay $200 for it. Yet, Donda 2 itself doesn’t cost $200; it’s a free download accessible only via the $200 Stem Player, meaning he doesn’t technically have to pay anyone royalties or sample clearances. Kanye would tell you he’s winning, except it’s his own game designed to eliminate any threat of competition. (Either way, Billboard ruled the album ineligible to chart. Kanye’s decision to keep Donda 2 off streaming is immensely respectable, though I wish he also put out a more convenient $20 CD or tape.)

Michael Fremer  |  Jul 01, 2007  |  0 comments

Eager anticipation turned into bitter disappointment early as Steely Dan played its final Beacon Theater (NY) concert last night (June 13th 2007). Opening tunes can’t be counted upon for greatness, as the band warms up and the mixer dials in the sound, but unfortunately, last night’s thin, sizzly, musically disjointed opener set the stage for an evening of thudding, overblown drumming, and an excruciatingly thin, sizzly, sibilant vocal mix on Donald Fagen’s clearly fatigued voice.

Obviously, drummer Keith Carlock is a talented and energetic drummer, but his playing last night had very little to do with Steely Dan’s slinky, insinuating sound, and much more to do with a Heavy Metal concert.

Michael Fremer  |  Jan 31, 2005  |  0 comments

Back in 1998 KOCH licensed both the RCA and Arista Kinks catalogs from BMG. Ray Davies supervised and approved the transfer from two-track analog masters, which was accomplished using an Ampex ATR102 directly feeding a Pacific Microsonics Model One A/D converter running at 88.2k/24 bit PCM (bonus tracks were sourced from Ray's DAT tapes). The files were sent to Bob Ludwig's Gateway Mastering for final mastering, including HDCD encoding.

Michael Fremer  |  Dec 21, 2017  |  11 comments
Here are some gift-giving ideas for this holiday season that come late, but not too late! Among the suggestions are books, record cleaning accessories,records and vinyl boxed sets. The embedded video has more suggestions.

Michael Fremer  |  May 31, 2017  |  11 comments
Let's take a (short) break from Munich High End 2017 coverage and instead play a track from this piano and vocal LP produced and engineered by legendary recording engineer Al Schmitt at Capitol Studios mastered by Bernie Grundman and pressed at RTI.

Mike Mettler  |  Aug 12, 2024  |  5 comments

The official National Calendar says today, August 12, is National Vinyl Record Day, so I cued up a few of my favorite new vinyl offerings — including the latest 2LP studio set from a longtime favorite, a 4LP box set with an album I’ve been waiting decades to get on vinyl, and a brand-new-to-2024 throwback 45 — to celebrate the theme of the day. Read on to see what they are, and feel free to chime in about your own favorite LPs you were spinning on your own turntable on this most hallowed of days. . .

Mike Mettler, Ken Micallef  |  Apr 01, 2024  |  11 comments

Every now and then, we come across a product that truly defies description — and today’s special featured piece of gear is the ever-loving, AI-living proof. Please welcome the triumphant return of the always estimable Dr. Loof Lirpa, who has given AP exclusive access to his brand-spanking-new Lirpa Labs Noah’s Arc turntable. Read on to see what the M&M team — Mettler and Micallef, that is — think of this one-of-a-kind AAA (as in, absolutely amazing analog) marvel. . .

Michael Fremer  |  Jan 29, 2017  |  42 comments
After posting the story "Three Percussion Records You Should Own Bob Ludwig emailed that I should get Percussion Music (Nonesuch H-71291). I emailed back that I had it and that prompted the decision to produce an all-percussion show for tomorrow’s WFDU HD2 AnalogPlanet radio show.

Ken Micallef  |  Dec 05, 2024  |  2 comments

Last night (i.e., December 4, 2024), a select group of journalists gathered at the All Blues listening bar in New York City’s Chinatown, and were treated to an exclusive preview of Analogue Productions’ special 180g 1LP edition of Miles Davis’ Birth of the Blue, which is set for release on December 13, 2024. Read Ken Micallef’s firsthand listening report to get a taste of what you can expect from this historic LP. . .

Michael Fremer  |  Apr 30, 2010  |  1 comments
The long awaited faux lizard skin clad, seven 180g LP The Doors box set has finally arrived, two years late, at a higher than originally announced cost, and for now (May, 2008), in very short supply.
Michael Fremer  |  May 27, 2015  |  6 comments
Leading up to the Newport Beach show this weekend, I took a day to travel around the L.A. area with Record Collector News publisher Jim Kaplan.

Michael Fremer  |  May 28, 2015  |  5 comments
Here's Part 2 of the L.A. Area Record Stores "Mini Tour": Wombleton Records.

Michael Fremer  |  May 28, 2015  |  4 comments
Here's a study in record store contrasts.

Michael Fremer  |  Jun 30, 2004  |  0 comments

MF: Why are there so many guest drummers on your records?

LP: Because I'm a guitar player. I think what happened in the ’70s with all the disco kind of stuff — all the drummers became, like, machines? So that kind of drumming became a prerequisite....

MF: And how did you feel about that? Was that pushed on the band?

Unidentified voice: The White man again! [Laughter]

MF: That was pushed on the band....

Unidentified voice: The evil White Demon! [More laughter]

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