ERIC DOLPHY
Live at the Five Spot Vols. 1 & 2; Memorial Album
Original Recordings Produced by Esmond Edwards
Engineered by Rudy Van Gelder
Reissue produced by Eric Miller
Digital transfers and editing by Dave Luke
Original Jazz Classics OJC 133, OJC 247, OJC 353 (CD)
In our ever-expanding search across this ever-spinning globe of ours for all things of analog-oriented interest, we couldn’t pass up the opportunity to drop this one on the AP faithful: Bay Area alt-punk progenitors Green Day have gone all-out punk personified with their Dookie Demastered project, billed as “the way it was never meant to be heard.” Dookie Demastered features 15 truly alternative format options if ever there were, including wax cylinder, X-ray LP, 8-track, music box, piano roll, and more. Read on to see why you should plop down an entry into the Dookie Demastered pool to get one (or more!) of them in hand for your own collection. . .
Wondermint vocalist/vibes/keyboardist Darian Sahanaja, a member of the Wondermints—Brian Wilson's live back-up group— speaks with Matthew Greenwald about his job as Brian Wilson's "musical secretary," and about the restoration and creation of Wilson's legendary Smile album for both live and studio presentation.
The orchestra rehearses downstairs while upstairs the mastering room engineers record and play back a test lacquer.
Finally, it's time for a recorded take of the "Carmen" excerpts with Mezzo-Soprano Rosie Middleton. The tension is palpable in both the control room and upstairs. It's quickly clear that the free-spirited rehearsal has given way to a darker, more constrained performance that satisfies no one, especially Ms. Middleton.
If you’re a musician making albums and you’re not a major pop/rock star or you don’t own your own label, the money you make comes with strings attached. To some, they may be invisible—"Hey, that’s what you do to sell records. Right?” To Horace Tapscott, the strings were all too visible and entangling. He wasn’t going to be a puppet dancing for the record companies and the whole system of which they were part.
The July, 2015 Stereophile included a review of the $28,000 Swedish Audio Technologies pick up arm. Yes, the price is outrageous but it's difficult to manufacture and doesn't come off an assembly line.
How long do lacquers really last? The recent Supersense announcement that it would be releasing lacquers cut sourced from 1:1 master tape copies (the original announcement made it seem as if the company was claiming to be using actual master tapes, which made zero sense and was obviously not the case), produced a torrent of objections and outrage on this website under the original post and on the YouTube channel of record dealer The In Groove.
Back in 1980 or so, in Los Angeles, I had a disastrous try-out to be one of the original MTV VJs. I had no idea what the content was going to be, but having been on the radio and having done stand-up, I figured why not try out? By the time I wrote the article below, which appeared in Los Angeles music magazine "Music Connection" the week of April 12th-25th 1984 (25 years ago!), MTV had gone from pretty bad to much worse. So I wrote this arbor of sour grapes that I thought you might find amusing now that MTV is no longer about music.-Ed.
Esquivel: Other Voices, Other Sounds/Four Corners of the World
Bar/None AHAON-090
Esquivel: Exploring New Sounds in Stereo/Strings Aflame
Bar/None AHAON-091
Esquivel: Infinity in Sound, Volume 1/Infinity in Sound, Volume 2
Bar/None AHAON-003
(1 and 2) Produced by Johnny Camacho, (3) produced by Neely Plumb
Reissue Supervision: Paul Williams for House of Hits Productions, Ltd.
Digital transfers by Mike Hartrey
Digitally remastered by dbs Digital, Hoboken, NJ
This whole Cocktail Nation, Space Age Bachelor Pad Music revival thing strikes me with extreme bemusement. All of a sudden, a new generation discovers and decides that what was once unhip is now the coolest-whether martinis, leopard skin, kitschy Fifties furniture-or the “easy listening” instrumental music popular at the dawn of the Stereo Age.
Rudy Van Gelder turned his parents’ cozy Hackensack, N.J. living room into a recording studio in which was produced, recorded and mastered some of Blue Note and Prestige’s most iconic and sought-after records, or so the legend goes.
During the late 1940s, ‘50s, ‘60s and ‘70s American jazz musicians and groups toured Europe and the world, usually to greater appreciation and acclaim than they received back home. Sad but true. Some moved overseas where they were treated with greater respect than they received at home but that’s another story.
Phono specialist/electronics designer Jim Hagerman of Hagerman Audio Labs recently published a PDF file containing really useful tips for reducing and hopefully removing from your system hum and other forms of phono playback noise pollution.
John Hartford (1937-2001) wrote “Gentle On My Mind” which won four Grammys, was chosen by BMI as the #16 Song Of The Century, was in 1990, the fourth most played song in the history of radio, has been covered by dozens, including Elvis, Sinatra and REM and by 2017 had been downloaded 250,00+ times. He was a regular on The Smothers Brothers, The Glen Campbell Goodtime Hour and the Johnny Cash TV shows. Between 1967 and 1970, he recorded seven albums for RCA which are an uncategorizable mixture of folk, rock, country, bluegrass, easy listening, psychedelic-folk and just plain oddness. If that wasn’t enough, he got hip credentialled by playing on The Byrds’ Sweetheart of The Rodeo LP.
Editor's Note: I am pleased to post this new piece by one of The Tracking Angle's most fearless and original writers, Steve Taylor. When he wrote for The Tracking Angle, Taylor almost always covered lesser known groups and composers. Taylor managed to convey the color, emotional content and meaning of unfamiliar, and often difficult music with great clarity and infectious enthusiasm. With this overview of the composer Kaikhosru Sorabji, Taylor picks up where he left off. We are fortunate to have him back, and hope you agree.
As with the Charles Lloyd piece, because of technical limitations, images of the pianist Michael Habermann and available album cover art will be found in the "Photo Gallery," accessible at the bottom left hand side of the home page.—MF