Mobile Fidelity just announced the availability for order of its Bridge Over Troubled Water reissue, produced as a limited to 7500 copies "one-step" double 45rpm release.
One of the great albums of the 1960s—for me an essential album— gets the double 45rpm treatment from Mobile Fidelity. Rhino reissued this a few years ago mastered by Chris Bellman and Bernie Grundman Mastering from the original tape.
If the iconic Miles Davis album Kind of Blue captured an event—an abrupt musical switch from melody to modal, these three mid-period quintet albums, Sorcerer (1967), Nefertitti (1968) and Filles De Kilimanjaro (1969) represent a period of transition as the quintet moves slowly towards Miles’s amplified instrument embrace.
The Yardbirds original "Shapes of Things" took the protest song—a surprising departure from the group's blues-based output— as a smartly rendered military march with mild middle eastern undertones. Jeff Beck played on the original but here for his first solo outing he led with a slinky, heavily syncopated version that presaged by a few years Led Zep's heaviest of metal. The song's conclusion, a rhythmic meltdown to a complete stop was something altogether new to rock fans. Needless to say, back in 1968 buyers of this record had minds blown, in part thanks to the great Ken Scott's impeccable engineering skills and of course by much of the world's first exposure to Rod Stewart.
Before you pay $100 for any record you have to ask yourself if you really like the music, right? Then the question becomes is this version that much better than the one you already have, assuming you already have one.
I'd be surprised if someone at UMe didn't look at the success of Blue Note's "Tone Poet" series and say to themselves "maybe the way to launch a Motown reissue series is to do it with the highest possible quality" because Motown/ UMe's new 5 LP Motown mono series duplicates in every way Blue Note's "Tone Poet" series: Kevin Gray cut from mono master tapes, RTI plated and pressed on 180g vinyl and the records are packaged in Stoughton tip on jackets.
The German MPS label has just released five excellent jazz albums originally released in the early 1970s under the supervision of noted German audio journalist and record producer Dirk Sommer. All have been mastered AAA from the original master tapes by mastering engineer Christoph Stickel, who was responsible for the Oscar Peterson box set Exclusively For My Friends.
Billed by his label as a “long lost masterpiece by Neil Young”, referred to by fans as “one of Young’s mysterious, great ‘lost albums’” and described by Young himself as “the one that got away”, Homegrown was recorded mostly between late 1974 and early ’75, with one track from late spring ‘74 and another from late summer of that year.
March 9 – Experience Hendrix and Legacy Recordings have released Jimi Hendrix’s new album Both Sides of the Sky today on CD, digital, and as a numbered 180-gram audiophile vinyl 2 LP set. NPR Music recently declared, “No rock figure before or since could breathe fire like Hendrix does, on his beloved well-known albums and on the assortment that is Both Sides of the Sky.” For the occasion, director John Vondracek has created a music video for “Lover Man,” a single from the album.
Sure to go running through your soul, like the stories told of old: Today (December 10, 2024), Rhino announces the launch of a new audiophile vinyl series that’s been dubbed Rhino Reserves, which purports to offer “legendary albums” on 180g premium-quality black vinyl, as cut from the original analog tapes. Read on to see which two vintage LPs from the 1970s kick off this new series on January 31, 2024, where they’re being pressed and cut, and by whom. . .
You’ve probably seen or at least heard about Damien Chazelle’s musical “La La Land”, about a musician (Ryan Gosling) whose less than fully expressed mission was to “save jazz”. He brings his turntable and retro-record collection to Los Angeles where he lives in a crummy apartment and makes ends meet by playing in a piano bar.
Seeing the superb documentary “What Happened, Miss Simone” isn’t mandatory but you’ll so much more enjoy this astonishing debut album recorded in 1957 (but not released until 1959) that it’s highly recommended, especially if you have Netflix. You’ll sit transfixed by this exceptional woman’s remarkable and often tragic life story.
As a value proposition the 2016 “The Philips Years” seven LP box set covering all of Nina Simone’s recorded output between 1964 and 1967 can’t be beat. Digitized at 96/24 resolution at Abbey Road using the original master tapes and well-pressed at Record Industry, the seven LPs sound very good. However!
No doubt Elvis Costello knew he was no George Jones or Merle Haggard when, in the spring of 1981 he stepped before the microphone in CBS's Studio A in Nashville under the direction of veteran producer Billy Sherill (who passed away this past August), but he wanted to record an album of country covers in Nashville and following the cleansing craziness of the Trust sessions, this probably seemed like the right time.