Despite recording a handful of legendary Paramount Records sides in 1930, Eddie James “Son” House, Jr. vanished after his rediscovery in August 1941 by Alan Lomax. His recordings gained stature over the ensuing decades, which in 1964 lead Dick Waterman, Nick Perls, and Phil Spiro on a mission to find House. They eventually located him that June in Rochester, New York, approximately 1,000 miles from his origins in the Mississippi Delta. Following his migration, House worked as a New York Central Railroad porter, killed a man in self-defense, and perhaps most importantly in the context of this review, put down his Dobro after the death of close friend and fellow bluesman Willie Brown. However, the younger generation’s enthusiasm for House’s original recordings reinvigorated his desire to play, which he then did for the first time in seven or eight (according to the liner notes) years.
Gerry Rafferty has long been under-appreciated. Oh, sure, "Stuck in the Middle" was an unlikely hit when first released by A&M in 1972 and later found its way into Quentin Tarrantino's "Reservoir Dogs" where the bouncy, anthemic, Dylanesque record company exec knock reached a new audience.
Aja is the fourth (and first non-sequential) entry in Analogue Productions' comprehensive 200g 45rpm 2LP Steely Dan UHQR reissue series — and it’s possibly the most anticipated of them all. Does the UHQR edition of Aja stack up favorably with and/or sound better than the previous LP editions from the label likes of ABC, Mobile Fidelity, and Cisco? Read AP editor Mike Mettler’s in-depth review to find out if the Aja UHQR is worth every bit of those cool 1,500 dime dances it’ll run you tp pick it up (a.k.a. $150, in normal dollars parlance). . .
Pretzel Logic, the third entry in Analogue Productions' comprehensive all-analog 200g 45rpm 2LP Steely Dan UHQR reissue series, is indeed a bit of a different sonic animal than its predecessors, Can’t Buy a Thrill and Countdown to Ecstasy. That’s due in no small part to SD co-founders Walter Becker and Donald Fagen wanting the album to have more of a first-call studio musician feel to it overall. Read AP editor Mike Mettler’s in-depth review to find out if the Pretzel Logic UHQR is the kind of record you want on your phonograph. . .
The phrase “auspicious debut” is often overused when discussing many an upstart band’s first album — but when it comes to Talking Heads, it’s a phrase that certainly fits the bill whenever you’re both discussing and listening to the fledgling punk/new wave NYC quartet’s first LP, September 1977’s Talking Heads: 77. And now, this important debut album gets its full box set due today, November 8, 2024, with Rhino’s 4LP + 4 7-inch singles-comprised Talking Heads: 77 – Super Deluxe Edition box set, with the original album therein remastered AAA all the way. Read AP editor Mike Mettler’s review to see why 77 is another vital vinyl box set to add to your collection — plus see his suggestion for the official, more affordable alternate option of half the box’s contents if your bankbook is currently lacking. . .
When The Crickets' "That'll Be the Day" exploded on the radio in 1957 and the absolutely geeky looking 21 year old Buddy Holly and group appeared December 1st on The Ed Sullivan Show, a generation of kids were moved the way the next one was by The Beatles. You didn't have to look like Elvis. Anyone could be a rock'n'roll star. In fact, "That'll Be the Day" was the first demo cut by The Quarrymen, the skiffle group that eventually morphed into The Beatles.
Analogue Productions recently completed one of the major reissue projects in modern vinyl playback history with the release of the final eight Beach Boys albums in both mono and stereo.
* (Not now convinced these were cut from tape).The Beatles just announced The Beatles: The Singles Collection, a limited edition, collectible box set containing 23 180-gram vinyl singles cut by Sean Magee from the original mono and stereo singles mix tapes. Between 1962 and 1970 The Beatles released 22 singles. Of the 44 A and B sides, 29 were not included on the group's British albums—singles were usually omitted in Britain, though the released albums contained more tracks than were issued per album in The United States (you probably already knew that!).
In the Beatleverse, it is generally well known and quite accepted that the mono mixes of the early Beatles recordings are considered superior to the stereo counterparts for many reasons. Thus, a new box set assembling 21st century recreations of the U.S. Beatles albums in their original monaural sound has a special sort of appeal — and that’s where the 1964 U.S. Albums in Mono 180g 8LP box set, which was released by Apple Corps Ltd./Capitol/UMe on November 22, 2024, comes into play.
Read Mark Smotroff’s review to see if The Beatles’ 1964 U.S. Albums in Mono 180g 8LP box set is fab enough to put on your holiday-purchase list, or if you should buy each album individually. . .
The just released (November 18, 2016) six LP box set of the four Brahms symphonies recorded direct-to-disc performed by Sir Simon Rattle and The Berlin Philharmonic before a live Philharmonie audience is as meticulously produced and presented as its existence is unlikely.
Last May 11th 2019 guest conductor Bernard Haitink conducted the BPO in his final performance with the orchestra. At the time plans were made to record the performance of Bruckner's 7th symphony "Direct-to-Disc" neither the orchestra nor the conductor knew it would be their last collaboration. Haitink announced his retirement shortly after the concert.
Is it possible to now write anything that hasn’t already been written or said about this record? I haven’t any fresh insights to offer that might advance what you probably already know. A good Kind of Blue pressing puts you in the 30th Street studio to hear the performance. Ashley Kahn’s “Kind of Blue” book sets the pre-recording stage, offering both musical and technical details and puts you as much in the control room as in front of the band.
What a voice, what a loss. Dolores O'Riordan, lead singer of the Irish group The Cranberries died suddenly in London January 15th, 2018 at age 46. She was in town for a recording session.
O'Riordan wrote lyrics and on some of the group's songs, the music as well, including three on this, the group's 1993 debut album. She also wrote music and lyrics on probably the group's best known song "Zombie"—her reaction to terrorist bombings by the Irish Republican Army—which is not on this album.