Album Reviews

Originally released in 1980 on the Swedish BIS label, the double LP la spagna became an instant, certified “audiophile classic”. It was on the late Harry Pearson’s “Super Disc” list since forever, with used copies regularly fetching upwards of $200.

I’ll tell you how I got into medieval era dance music similar to what’s on this record and on la Spagna: back in 1969 when I worked in the downstairs record store division of Minuteman in Harvard Square, a salesman named Duane who worked upstairs selling audio gear I could not at the time afford, insisted I buy a record on Deutsche Grammophone’s Archive Production label.

Grand scale examinations of the human condition tend to be preachy, didactic and obvious. The more interesting observations tend to be small scale and personal—in other words, how individuals deal with human foibles and circumstances beyond individual control generally are more compelling and interesting.

When I interviewed singer/songwriter Jack Tempchin recently I joked about why older songwriters often lose their creativity.

If the iconic Miles Davis album Kind of Blue captured an event—an abrupt musical switch from melody to modal, these three mid-period quintet albums, Sorcerer (1967), Nefertitti (1968) and Filles De Kilimanjaro (1969) represent a period of transition as the quintet moves slowly towards Miles’s amplified instrument embrace.

Hunky Dory introduced a kinder, gentler David Bowie after two heavy albums laden with mythological imagery and pleasant dread—not that this album doesn't also include heavy doses of the latter.

Gerry Rafferty has long been under-appreciated. Oh, sure, "Stuck in the Middle" was an unlikely hit when first released by A&M in 1972 and later found its way into Quentin Tarrantino's "Reservoir Dogs" where the bouncy, anthemic, Dylanesque record company exec knock reached a new audience.