Album Reviews

"Jenny Sings Lenny" as Mr. Cohen playfully referenced this album in a cartoon included in the original release's liner notes but for some reason omitted here, both technically and musically has never sounded better.

No doubt Elvis Costello knew he was no George Jones or Merle Haggard when, in the spring of 1981 he stepped before the microphone in CBS's Studio A in Nashville under the direction of veteran producer Billy Sherill (who passed away this past August), but he wanted to record an album of country covers in Nashville and following the cleansing craziness of the Trust sessions, this probably seemed like the right time.

Chad Kassem's got a vinyl selling website, a reissue label, a pressing plant and well-oiled licensing deals so what's left to do but a self-produced double vinyl Christmas compilation pressed on red and green?

Recorded music comes to us pressed in plastic and frozen in time. The work leading up to the master often gets lost, tossed or erased and recorded over without a thought that it might be of interest to anyone. That’s most often true. Alternate takes, when they do surface, usually make clear why they were passed over in favor of the one programmed into your brain, though there are exceptions.

Lyn Stanley’s third effort had better not be more of the same I told her, but only because she asked. Otherwise, it’s really none of my business, especially since I would be reviewing it.

Paul Kantner RIP. When is this parade of dead rock icons going to end? Can we at least have a short break?

On August 28,1962 Dave Brubeck's "classic" quartet and Tony Bennett backed by The Ralph Sharon Trio performed separately on the stage of the Sylvan Amphitheater at the base of the Washington Monument and then in an act of daring spontaneity, Brubeck and company backed Bennett on four unrehearsed tunes, all of which was captured to tape by. Columbia Records' remote recording team.