Petra Haden, the very talented daughter of the late bassist Charlie Haden, and former member of That Dog released in 2005 an a cappella version of The Who Sells Out that is charming, entertaining, ingenious and loads of fun. It was CD only until now.
Anthony Wilson, best known as a jazz guitarist, has released an organic, occasionally “noir-ish”, sounding album on which he sets up and sings within cinematic musical landscapes, proving himself to be an equally compelling story teller. "Frogtown" is an area of Los Angeles, whose official name is "Elysian Valley". People live there but other than a lush stretch of the L.A. riverbed, there's not much there, which is how the people like it. The same can't be said of this record, which will have you wondering from where came this Anthony Wilson?
At this point in his life and career, Eric Clapton has nothing to prove to anyone but himself. He’s gone from being called God on now famous graffiti that embarrassed him but others found justified, to later being called a snooze during a stretch of less than inspiring records and perhaps overexposure.
If you go into this ambitious acoustic Led Zeppelin covers project hard wired for Robert Plant and Jimmy Page you’re probably bound for disappointment but if you just relax into it, you might be pleasantly surprised by what you see in your mind’s eye. You’ll surely like what the production brings to your ears.
Reunited with his old friend, producer and engineer Roy Halee, Paul Simon delivers an imaginative and vital record—his most fully realized since Graceland., though its musical complexity and mood more closely resemble Rhythm of the Saints”
Joe Jackson's "angry young man" stance came late in the cycle and so at the time was less than fully convincing. Elvis and Graham had already been there and done that. The picture of Jackson on the back cover of his debut Look Sharp just wasn't convincing.
The last time we heard from the adventurous Jamie Saft, he'd released The New Standard an all-analog straight ahead jazz trio album engineered by the great Joe Ferla.
Fred Hellerman's obituary appeared in today's (Sept. 3, 2016) New York Times. Hellerman was the last surviving member of The Weavers, the folk group that helped usher in what became known as the "folk revival" of the late '50s and '60s.
Though he's but thirty years old, guitarist, record producer, studio session and touring band member Blake Mills has had already had a dizzying career. He's toured with Jenny Lewis and Band of Horses and Lucinda Williams. He's done session work for Norah Jones, Weezer, The Avett Brothers and Andrew Bird among many others and he produced Alabama Shakes' Sound & Color for which he received a producer of the year, non-classical, Grammy nomination.
Jamaican-born pianist Monty Alexander still tours at age seventy two. He was but thirty two when this live album was recorded at The Montreux Jazz Festival.
One of the great albums of the 1960s—for me an essential album— gets the double 45rpm treatment from Mobile Fidelity. Rhino reissued this a few years ago mastered by Chris Bellman and Bernie Grundman Mastering from the original tape.
Originally released as a double LP back in 1956, Ella Fitzerald Sings the Cole Porter Song Book was both the first of her "songbook" albums and the first release on Norman Granz's then brand new Verve Records (MG V-4001/2).
Best known to American Miles Davis fans as side one of the twelve inch Columbia Records LP release Jazz Track (CL1268), Ascenseur pour l’échafaud (“Elevator to the Scaffold”), the jazz soundtrack to the Louis Malle film was originally released in France in 1958 on the Fontana label as a 10” LP.
The late Allen Touissant preferred working in the background for most of his long career. He got his start playing piano in the 1950’s, when his Dr. Longhair-influence rollicking style caught the ear of Dave Bartholomew, Fats Domino’s producer.