The once-buried archival recordings that comprise Frank Zappa’s new 180g 2LP set Funky Nothingness are not just the components of a lost album, but more of an insightful transitional link into FZ’s compositional mindset. This new album also connects many musical dots between the aftermath of FZ’s October 1969 landmark jazz fusion masterpiece Hot Rats and October 1970’s Chunga’s Revenge — and beyond. Read Mark Smotroff’s review to see just how quickly Funky Nothingness should jump to the front of your LP listening queue. . .
Universal ushers in a new era of limited-edition Pete Townshend solo 180g 1LP reissues with a pair of Abbey Road Studios half-speed-mastered editions: 1) Rough Mix, Pete’s September 1977 collaboration with Ronnie Lane, and 2) April 1980’s Empty Glass. Read Mark Smotroff’s combo review to see how these two new half-speed-mastered versions stack up with the originals. . .
The cover image is iconic. The opening strains of the recording are iconic. Even the original label design is iconic. Fifty years on, we now celebrate Mike Oldfield’s landmark progressive masterwork debut album, May 1973’s Tubular Bells, with an expanded 180g 2LP half-speed-remastered edition overseen by Oldfield himself. Read on to get Mark Smotroff’s take on this this avowed timeless classic. . .
Just how good is Peter Frampton’s excellent new Frampton@50: In the Studio 1972-1975 180g 3LP box set from Intervention Records? The following three numbers tell the tale in shorthand: 100, 50, and 75. Find out what they mean and why this all-analog vinyl collection of three key entries from Frampton’s early solo career sets new standards for box set presentation by reading AP editor Mike Mettler’s in-depth review. . .
Two late-period R.E.M. albums — October 2004’s and March 2011’s Collapse Into Now — have just gotten well-deserved 180g LP upgrades from Craft Recordings. Read Mark Smotroff’s combo review of these two somewhat underappreciated but wholly worthy entries in the Athens, Georgia alt-rockers deep catalog to see if they fit into your own upcoming LP listening plans. . .
Pretzel Logic, the third entry in Analogue Productions' comprehensive all-analog 200g 45rpm 2LP Steely Dan UHQR reissue series, is indeed a bit of a different sonic animal than its predecessors, Can’t Buy a Thrill and Countdown to Ecstasy. That’s due in no small part to SD co-founders Walter Becker and Donald Fagen wanting the album to have more of a first-call studio musician feel to it overall. Read AP editor Mike Mettler’s in-depth review to find out if the Pretzel Logic UHQR is the kind of record you want on your phonograph. . .
Steely Dan and UMe have thrown fans of the band’s music some interesting choices when it comes to their current vinyl reissue series. We all know about the pricier, concurrent AAA UHQR editions from Analogue Productions that all have an admittedly steeper entry fee, but the hard reality is many of us can only afford the standard 180g 1LP editions being released under the Geffen/UMe label banner. What’s a budget-minded, audiophile-leaning Steely Dan fan to do? Read Mark Smotroff’s review of the new Geffen/UMe version of Pretzel Logic to see if it’s the right edition for you. . .
Mal Waldron Sextet’s Mal/2 — a new AAA OJC 180g 1LP reissue from Craft Recordings of what some might deem a “lost classic” of vintage, mid-century 1950s jazz — offers important and wonderful music for fans of not only titular pianist Mal Waldron, but also of saxophone legend John Coltrane in particular. Read Mark Smotroff’s review to see why he considers the new OJC Mal/2 LP is essential listening, and why it’s well worth adding to your collection. . .
For the very first time, Rhino has released the entirely of Talking Heads’ soundtrack to their seminal September 1984 concert film, Stop Making Sense, in a remastered 2LP set. In this all-new combo-style tag-team review, Mike Mettler and Mark Smotroff tell us exactly why this new 40th anniversary 2LP SMS set is the best-sounding edition of SMS to date. . .
Craft Recordings just served up the next pair of 180g 1LP offerings in their ongoing R.E.M. reissue series — namely, 180g 1LP editions of May 2001’s classic-sounding Reveal and March 2008’s power-pop punk slammer, Accelerate.
Read Mark Smotroff’s combo review of Reveal and Accelerate to see if either or both LPs are worthy additions to your vinyl collection. . .
The new Live at The Matrix, 1967: The Original Masters super deluxe box set that features early live recordings by The Doors as captured on the cusp of their impending, immense fame is a wonderful historic document on vinyl — and a crucial crossroads moment. Issued for the first time in as complete form as possible — and from better sources than what’s been previously available — these semi-professional recordings give us a glimpse of this legendary L.A. band just before they broke out as international music sensations. Read Mark Smotroff’s in-depth review to see if Live at The Matrix, 1967 deserves a place in your collection. . .
How great is it that jazz pianist Thelonious Monk’s April 1957 breakthrough album Brilliant Corners is the latest entry in Craft Recordings’ notable Small Batch series of limited-edition, definitive, all-analog, audiophile-grade releases? Read Mark Smotroff’s review to see if the Small Batch 180g 1LP edition of Brilliant Corners is the right Monk fit for you. . .
It looks like the old Who’s Next. It feels like the old Who’s Next. But the new 180g 1LP half-speed-mastered 50th anniversary edition of The Who’s seminal August 1971 masterpiece Who’s Next sounds arguably bigger and better than any commonly available version of the original mix of Who’s Next that we’ve heard to date on vinyl. Read Mark Smotroff’s review to see why this new Abbey Road half-speed-mastered, Plangent Processes-restored 180g 1LP Who’s Next belongs on your turntable, pronto. . .
The new Geffen/UMe 1LP edition of Steely Dan’s seminal September 1977 album, Aja, sounds pretty darn good, all things considered, given that it bears a key difference from the other entries in this reissue series to date. Read Mark Smotroff’s review to see what that difference is, and if this new edition of Aja is right for you either way. . .
David Bowie’s October 1973 covers album, Pin Ups, was actually somewhat of a placeholder, made with the intention to fulfill contractual requirements for his then-label, RCA Records — but it actually became a smash hit. To celebrate the album’s 50th anniversary, Parlophone is releasing a 180g 1LP half-speed-mastered edition on October 20. Read Mark Smotroff’s review to see if the new Parlophone Pin Ups is a worthy addition to your LP listening queue. . .